My finished manuscript is with my agent, which is a weird thing to say. An exciting thing too, obviously. One of those things I would have waited my whole life to be able to say, had I known as a child that there was such a thing as a literary agent, and that having one should be something to which I might one day aspire.
My book is with my agent.
Finishing the book (for now) has been a mixed experience. In some ways it has been the experience I expected: a sense of accomplishment, relief at being able to finish something all the way to the end, deflation brought on by throwing myself into it heart and soul and then being without it.
Being without it is the most constantly evident of all the feelings. It is like having a friend who lives inside a closet, and for a while you were able to open the closet and kind of peer in at the friend, and the friend was able to peer back out at you. And maybe you and the friend didn’t communicate in words, exactly, but in a kind of morse code of head shakes. And then one day you could speak, just for a few hours, and you communicated all of the things you had ever wanted to communicate, and your brain and your body and your ears were full of everything you had ever thought to say to your friend.
But then the closet door closed, and although you could open it and look inside, all that was left was one of your friend’s shoes and a newspaper with half the crossword finished. So you could sort of remember what it was like to communicate with them, but you knew you wouldn’t ever quite get it back again. Not that flurry of frantic and panicked and perfect communication that encompassed everything you had to say.
As I said, that was kind of expected.
Other parts of it have been unexpected. Momentarily hating it with all my spirit was one of those things. The thought that maybe I only had one book in me, and now that it’s done I can never write anything again is another. That’s the main reason I’m writing this blog post, actually–to see if I can still string words together. I feel a bit like I used every word that I knew to write the book, like I used every combination of letters I had ever thought might be nice in a book and just threw them at the pages until they arranged themselves into a kind of story, and that therefore there are no other combinations for other books. I have written other things and they are all fine, but they are not my book, and the confusion this causes me is obviously testament to my psychotic level of attachment to things.
Then there is the issue of what happens next. While I was writing this book, I had lots of fun and exciting ideas, and I duly noted them down and carried on with what I was already doing. That was something I had read in Bird by Bird, I think. After I finished writing, I looked at that list of ideas and it said things like:
An old man in a red hat sat on top of a bridge.
When I read those things, I realised I no longer had a fully formed story idea. I plotted Latkes with Sylvia in 2012, and I’ve lived with that story idea ever since. When people asked what I was writing, I said, “It’s a thing about a grieving woman with a beautiful garden and a strange man.” and I knew exactly what I meant. Now I look at this list and think, “Well, that idea could become one of any number of stories!” and I mourn the completeness of the old story.
So now I’m working on these sort-of-finished short stories and some other things. Something about a girl who was adopted; something about an old man and his old wife and their mutual displeasure; something about a boy whose parents are divorced and a very hot road. But I can’t stop thinking about my book and the way it is with my agent and not with me.
I’m Anna, a digital strategist and writer who likes to drink 'Ice Tea' but doesn't understand why it's not called 'Iced Tea'. By night and occasionally morning, I eat things, write things, berate my children, walk my dogs and hug my chocolate.